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SELECTED WORKS

DANIEL BLACKBALL (b.1988)is
a independent designer and illustrator from Ōtepoti,
New Zealand.

Listen on BANDCAMP︎

IT CAME FROM THE ATTIC: THE B-sIDES [2012]


ARTIST:
Various

PUBLISHER:
The Attic   

FORMAT:
CD-R edition of 25
(with an undisclosed number available in select nooks and crannies in Dunedin)

DESIGN, STAMP CARVER:
Daniel Blackball


I can’t help but single out It Came From The Attic – The B-Sides, as the catalogue’s overlooked gem: a compilation of scrappy demos, experiments and live tracks released in a run of 25 CD-Rs, each housed in a numbered white sleeve and finished off with a red Attic stamp. I hand-carved the stamp myself. It would go on to be the door stamp for our gigs and it still sits on my desk today.

Every track on The B-Sides is a strange beast. Space Bats, Fat Children, George Driver and Trick Mammoth showed their working with punchy demos and outtakes. The space itself was centre-stage in a live-in-the-Attic recording by Brown (later renamed Ha, The Unclear), a late-night collaboration between Adrian and Lee, and an acoustic Astro Children track that Adrian recorded in the stairwell with a Singstar mic and a cardboard box. It was messy and disjointed; I don't think anyone was rushing to claim this was the ‘new Dunedin Sound’. But the playfulness and immediacy of the recordings represent best the energy of what I experienced during those years.


— Excerpt From “It Came From
the Attic”
by DANIEL BLACKBALL
for THE PANTOGRAPH PUNCH [2019]


︎︎︎Astro Children and
Adrian Ng recording in
the stairwell of the Attic.


© 2025 Daniel Blackball
D.BLACKBALL@GMAIL.COM / IG / TW
D.BLACKBALL@GMAIL.COM / IG / TW

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